Award-winning writer and co-founder of Hard Case Crime Charles Ardai returns to the Gun Honey universe in this action-packed spin-off featuring the sultry and explosive artwork of Ace Continuado! Dahlia Racers is a fiery redhead who, when someone's gunning for you, will take the heat on herself - for a price. As a master of disguise and deception, she uses every trick to dupe those who want you captured or dead. But will a new job taking Gun Honey Joanna Tan's place in the crosshairs turn out to be too hot to handle? Marked for death by a U.S. intelligence agency, Gun Honey Joanna Tan turns to Dahlia Racers to help her pull a vanishing act.

From the award-winning author, who Stephen King called “a master of the short story� comes this unforgettable 20th-anniversary celebration of Hard Case Crime. Taking you from Brazil at Carnival to Times Square at midnight and from Tijuana, Mexico to ancient China, exploring the dark heart of crime in the tradition of Raymond Chandler, Cornell Woolrich, and Graham Greene. CELEBRATING 20 YEARS OF HARD CASE CRIME – 20 UNFORGETTABLE STORIES BY HARD CASE CRIME FOUNDER CHARLES ARDAI Since debuting 20 years ago, Hard Case Crime has won acclaim for publishing the best in hardboiled crime fiction – not least of all the work of founding editor Charles Ardai, which has won the Edgar, Shamus and Ellery Queen Awards, been selected for ‘Best of the Year’ anthologies, and earned praise from publications like the Washington Post and Chicago Tribune and authors ranging from James Crumley and George Pelecanos to Megan Abbott and Stephen King.Collected here for the first time anywhere are the author’s 20 finest stories, including his Edgar-winning “The Home Front,� about death and repentance during World War II; the Shamus Award finalist “Nobody Wins,� about a brutal gangland enforcer searching for the woman he loves; and year’s-best selections such as “A Bar Called Charley’s,� about a traveling salesman’s most grueling night on the road. From Brazil at Carnival to Times Square, from Tijuana, Mexico to history’s first gunshot in 11th-century China, Ardai will take you to some of the most dangerous places in the world – and the darkest corners of the human heart.

Cool Britannia and Multi-Ethnic Britain: Uncorking the Champagne Supernova attempts to move away from the melancholia of Cool Britannia and the discourse which often encases the period by repositioning this phenomenon through an ethnic minority perspective. In March 1997, the front page of the magazine Vanity Fair announced 'London Swings! Again!' This headline was a direct reference to the swinging London of the 1960s - the English capital which became the era-defining epicentre of the world for its burgeoning rock and pop music scene, with its daring new youth culture, and the boutique fashion houses of Carnaby Street captured most indelibly by the Mods, Rockers, and psychedelic hippies of the time. In the 1990s this renewed interest in the swinging 60s seemed to reinvigorate popular culture, after a global period in the 1980s which would see the collapse of traditional communism and the ending of Cold War, while ushering in the beginnings of a new technological age spearheaded by Apple, Microsoft, and IBM. The dawn of the 1990s meant that peace and love would once again reign supreme, with Britannia being at the forefront of 'cool' again. Godfathers of the Mancunian Rock scene New Order would declare 'Love had the world in motion' and, for a fleeting period, Britain was about to encounter its second coming as the cultural epicentre of the world. Although history proffers a period of utopia, inclusion, and cultural integration, the narrative alters considerably when exploring this euphoric period through a discriminatory and racialised lens. This book repositions the ethnic minority-lived experience during the 1990s from the societal and political margins to the centre. The lexicon explored here attempts to provide an altogether different discourse that allows us to reflect on seminal and racially discriminatory episodes during the 1990s that subsequently illuminated the systemic racism sustained by the state. The Cool Britannia years become a metaphoric reference point for presenting a Britain that was culturally splintered in many ways. This book utilises storytelling and auto-ethnography as an instrument to unpack the historical amnesia that ensues when unpacking the racialised plights of the time.

AWARD WINNER CHARLES ARDAI, CO-FOUNDER OF HARD CASE CRIME, BRINGS HIS NOIR EXPERTISE TO THE FORE IN HIS DEBUT GRAPHIC NOVEL ABOUT A SEXY WEAPONS SMUGGLER. Fans of pulp noir and crime writers like Ed Brubaker and Max Allan Collins will want to sink their teeth into this salacious and super-charged thriller. She'll get you the weapon you need, when you need it, where you need it - no matter how impossible. But when a gun smuggled into a high-security prison leads to the death of dozens and the escape of a brutal criminal, Joanna Tan is suddenly forced by the U.S. government to do a job for them: find the man she set loose and bring him down. Features bonus material including the story of the real Gun Honey and much more!

Cool Britannia and Multi-Ethnic Britain: Uncorking the Champagne Supernova attempts to move away from the melancholia of Cool Britannia and the discourse which often encases the period by repositioning this phenomenon through an ethnic minority perspective. In March 1997, the front page of the magazine Vanity Fair announced 'London Swings! Again!' This headline was a direct reference to the swinging London of the 1960s - the English capital which became the era-defining epicentre of the world for its burgeoning rock and pop music scene, with its daring new youth culture, and the boutique fashion houses of Carnaby Street captured most indelibly by the Mods, Rockers, and psychedelic hippies of the time. In the 1990s this renewed interest in the swinging 60s seemed to reinvigorate popular culture, after a global period in the 1980s which would see the collapse of traditional communism and the ending of Cold War, while ushering in the beginnings of a new technological age spearheaded by Apple, Microsoft, and IBM. The dawn of the 1990s meant that peace and love would once again reign supreme, with Britannia being at the forefront of 'cool' again. Godfathers of the Mancunian Rock scene New Order would declare 'Love had the world in motion' and, for a fleeting period, Britain was about to encounter its second coming as the cultural epicentre of the world. Although history proffers a period of utopia, inclusion, and cultural integration, the narrative alters considerably when exploring this euphoric period through a discriminatory and racialised lens. This book repositions the ethnic minority-lived experience during the 1990s from the societal and political margins to the centre. The lexicon explored here attempts to provide an altogether different discourse that allows us to reflect on seminal and racially discriminatory episodes during the 1990s that subsequently illuminated the systemic racism sustained by the state. The Cool Britannia years become a metaphoric reference point for presenting a Britain that was culturally splintered in many ways. This book utilises storytelling and auto-ethnography as an instrument to unpack the historical amnesia that ensues when unpacking the racialised plights of the time.

The book comes from an evaluation of findings after more than twenty eight years of political review and lawful study; investigation and determining facts of law; and, of actual events and of unlawful actions by the Federal United States Government; its deceptive and fraudulent claim over a foreign, sovereign and "neutral" nation; actual evidence of misleading legal documents of false claim for a Statehood in the American Union of States that does not lawfully exist and that can never exist. It is a revelation of past historical events with supporting documentation revealing to a new generation of Americans and Hawaiian Citizens on how they have lost their birth names and birthrights, as well as their Citizenship as "Private Citizens" within their respective nations. How they have been deviously removed from their birth State's Constitutions and "State's common-law" and their National Constitutions (of the American Republic of States and of the Hawaiian Kingdom) to a lesser Washington D. C. "Federal Emancipated Slave citizenship" (14th Amendment) under Article 1 Section 8 of that very same Constitution of the American Republic and its Union of States.

In many climates buildings are unable to provide comfort conditions for year-round occupancy without the benefit of a heating system, and most HVAC engineers will routinely be involved with issues concerning the design, installation and performance of such systems. Furthermore, in temperate climates, heating of buildings accounts for a large slice of annual carbon emissions. The design of heating systems for maximum efficiency and minimum carbon emission is therefore now a matter of prime concern to all HVAC engineers.

The book provides an up-to-date review of the design, engineering and control of modern heating systems. Part A deals with heat generating plant. While this concentrates on conventional and condensing boilers, small-scale combined heat and power systems and heat pumps are also discussed. Part B deals with heat emitters, pipe circuits and variable-speed pumping, hot water service, optimum plant size and the vital issues of plant and system control, including sequence control of multiple boilers. Techniques for managing the energy use and running costs of heating systems are also discussed.

The authors have brought together over a half-century of combined experience covering all aspects of the building services Industry to provide an up-to-date and comprehensive text that is both technically rigorous yet highly practical. This makes the book equally relevant to the busy HVAC engineer looking for a handy practical reference, the student looking to build on their basic knowledge or the researcher interested in key issues of heating system design and performance.

By the time Richard Stark sat down to write "Deadly Edge" in 1971, he'd been chronicling the adventures of his antihero, Parker, for nearly a decade. But it turns out he was just warming up: the next three "Parker" novels would see Stark crank everything up a notch - tightening the writing, heightening the violence, and, most of all, hardening the deadly heister at the books' heart. "Deadly Edge" kicks things off by bidding a brutal adieu to the 1960s: Parker robs a rock concert, but the heist goes sour, and he finds himself - and his woman, Claire - menaced by a pair of sadistic, drug-crazed hippies. Slayground turns the hunter into prey, as Parker gets trapped in a shuttered amusement park, besieged by a bevy of local mobsters. He's low on bullets - but, as anyone who's crossed his path knows, that definitely doesn't mean he's defenseless. Finally, in Plunder Squad, job after job disintegrates into failure and violence, and a rare act of mercy from earlier in the series comes back to bite Parker - hard. These books by Stark reveal a master craftsman working at the height of his powers, and they deserve a place on the bookshelf of every fan of crime fiction.

This book reveals the roots of structural racism that limit social mobility and equality within Britain for Black and ethnicised students and academics in its inherently white Higher Education institutions. It brings together both established and emerging scholars in the fields of Race and Education to explore what institutional racism in British Higher Education looks like in colour-blind 'post-race' times, when racism is deemed to be 'off the political agenda'. Keeping pace with our rapidly changing global universities, this edited collection asks difficult and challenging questions, including why black academics leave the system; why the curriculum is still white; how elite universities reproduce race privilege; and how Black, Muslim and Gypsy traveller students are disadvantaged and excluded. The book also discusses why British racial equality legislation has failed to address racism, and explores what the Black student movement is doing about this. As the authors powerfully argue, it is only by dismantling the invisible architecture of post-colonial white privilege that the 21st century struggle for a truly decolonised academy can begin. This collection will be essential reading for students and academics working in the fields of Education, Sociology, and Race.

This book provides a forensic and collective examination of pre-existing understandings of structural inequalities in Higher Education Institutions. Going beyond the current understandings of causal factors that promote inequality, the editors and contributors illuminate the dynamic interplay between historical events and discourse and more sophisticate and racialized acts of violence. In doing so, the book crystallises myriad contemporary manifestations of structural racism in higher education. Amidst an upsurge in racialized violence, civil unrest, and barriers to attainment, progression and success for students and staff of colour, doing equity and diversity for success in higher education has become both politically urgent and morally imperative. This book calls for a redistribution of power across intersectional and racial lines as a means of decentering whiteness and redressing structural inequalities in the academy. It is essential reading for scholars of sociology and education, as well as those interested in equality and social justice.

This book provides a forensic and collective examination of pre-existing understandings of structural inequalities in Higher Education Institutions. Going beyond the current understandings of causal factors that promote inequality, the editors and contributors illuminate the dynamic interplay between historical events and discourse and more sophisticate and racialized acts of violence. In doing so, the book crystallises myriad contemporary manifestations of structural racism in higher education. Amidst an upsurge in racialized violence, civil unrest, and barriers to attainment, progression and success for students and staff of colour, doing equity and diversity for success in higher education has become both politically urgent and morally imperative. This book calls for a redistribution of power across intersectional and racial lines as a means of decentering whiteness and redressing structural inequalities in the academy. It is essential reading for scholars of sociology and education, as well as those interested in equality and social justice.